-
Posts
759 -
Joined
-
Last visited
Content Type
Profiles
Forums
Events
Gallery
Store
supertorial
Classifieds
Posts posted by (10chars)
-
-
here are two from a walk around downtown yesterday.
canon ae-1 w/ kodak ektar 100
2 -
canon ae-1 w/ kodak ektar 100
8 -
got some prints, fuji fp-100c for my polaroid cam, and delta 3200 in the mail today. stoked to get my polaroid up and running.
2 -
^^ yeah walgreens and cvs are where ive been going. its a hit or miss. theyve never ruined my film or anything but a lot of times the scans are really dirty. im also going to be ordering all the supplies to develop black and white this month, so a scanner will be crucial.
0 -
whatre you guys scanning your negs with? thinking about getting an epson v600. trying to spend around $200.
0 -
canon ae-1 ektar 100
my fridge
10 -
canon ae-1 ektar 100
5 -
acrylic on canvas.. first time using acrylic.
contour line doodle
10 -
Nice tones as well. How much is it running a roll?
thanks! usually runs about $7.50 for a roll.
1 -
canon ae-1 on fuji 400h
really feeling this 400h. the grain is so fine.
2 -
canon ae-1 fuji 400h
7 -
canon ae-1 with kodak portra 800
1 -
canon ae-1 with the shittiest expired walmart film
2 -
picked up two ae-1s this week. only paid $15 for the silver one with a 200mm lens on it. both appear to be in mint condition.
3 -
canon 500n expired polaroid 400 iso
3 -
i have a question for those more knowledgeable than me. ok so say i have two canon ae-1s. both of them have the same 400 iso film in them, but one has a 35-200mm 3.5 zoom lens on it, and the other one has a 50mm 1.8 on it. if i set the aperture on both of the cameras to 5.6, will the shutter speed have to be slower on the ae-1 with the 35-200mm lens on it in order to get the same exposure as the one with the 50mm set at 5.6? i am having this problem with my two ae-1s. i think its because the lens is so long that it needs more light to get the same exposure, even when the zoom is set to 50mm and the aperture is the same.
0 -
picked up a brand new canon ef 50mm 1.8 II today from the flea market for $15. wasnt in the market for one but had to get it.
0 -
stoked to see so much film in here!
yashica t3 with superia 800
2 -
olympus xa2 with fuji superia 400
0 -
anyone know how to get this effect like the dude above and this??? or is it just the physical film used?
yoo thanks for the rep. i was trying to replicate this film with that photo of my gf: http://shop.revolog.net/product/kolor
the photo i took is a multiple exposure. i made a red into blue gradient with photoshop, took a picture of my computer screen with the red/blue full screened, then i took the next exposure of my girlfriend looking sexy. i did this for a few pictures on this roll. ill post more later.
basically what they do with the revolog film is shoot different color gradients on every frame and then roll it back up and then you shoot your exposures over the color gradients. if you get a camera that shoots multiple exposures, you can do what i did with the photo i posted of my gf. ive also seen people shoot a whole roll of different color gradients on each frame, then put the roll back in their cam and reshoot as they normally would, essentially making their own revolog kolor film. here's a little tutorial on how to do that;
1 -
canon 500n with lomography 100
2 -
yashica t3 with superia 400
2 -
yashica t3 fuji superia 400
1 -
yashica t3 super with lomography 100
14
Photography Post Vol. 2
in superculture
Posted
and lastly here are three from a walk through a nature preserve trail near my apt
once again, canon ae-1 w/ kodak ektar 100